lindsay vickery
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performance 2010

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3/12/10 Musicological Society of Australia Decibel  Marama Hall, University of Otago  Dunedin 
Westlake Hinchinbrook Riffs
Burt Another Noisy Lullaby
Grainger Free Music No. 1
Vickery Improbable Games
Hope Possible Stories of Harry Power
Stockhausen Pole
Decibel Lingua Ingnota

20101203.pdf
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20101201.pdf
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1/12/10 CreateWorld 2010 Decibel  Griffith University, Brisbane
Hope Empire [World Premiere]
Vickery Improbable Games  [World Premiere]Grainger Free Music No. 1
Westlake Hinchinbrook Riffs
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11/11/2010 Decibel Still and Moving Lines: The music of Alvin Lucier, The Trilling Wire Series, Judith Wright Centre Bribane
Shelter (1967) for vibration pickups, amplification system andenclosed space.
Carbon Copies (1989) for saxophone, piano, cello and playback. 
Still and Moving Lines of Silence in Families of Hyperbolas, Part 1 No. 1 (1984) for clarinet and pure wave oscillator.
Nothing is Real (Strawberry Fields Forever) (1990) for piano, amplified teapot, tape recorder and miniature sound system.
I Am Sitting In A Room (1970) for voice and electromagnetic tape.
Indian Summer (1993) for electronic cello.
Ever Present (2002) for flute, saxophone and piano with slow sweep pure wave oscillators.
20101111.pdf
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20101022.pdf
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22/10/2010 Candied Limbs Post Noise, The Bakery Perth
Cat Hope - Bass Guitar and Analogue Electronics
Lindsay Vickery - Bass Clarinet and Digital Electronics
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26/9/2010 Jeff Burch with Lindsay Vickery And Steve Uren, The Third Perth
20100926.pdf
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20100703.pdf
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20100702.pdf
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3/7/2010 Decibel Works by Alvin Lucier, Liquid Architecture Festival Eugene Goosens ABC Hall Sydney
Shelter (1967) for vibration pickups, amplification system andenclosed space.
Carbon Copies (1989) for saxophone, piano, cello and playback. 
Nothing is Real (Strawberry Fields Forever) (1990) for piano, amplified teapot, tape recorder and miniature sound system.
Ever Present (2002) for flute, saxophone and piano with slow sweep pure wave oscillators.

2/7/2010 Decibel Decibel Works by Alvin Lucier, Liquid Architecture Festival, RRR Melbourne
Still and Moving Lines of Silence in Families of Hyperbolas


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24/6/10 Australasian Computer Music Conference 2010  Decibel  Australian National University
Vickery Ghosts of Departed Quantities for alto flute, bass clarinet, piano and electronics [World Premiere]
Riddoch Variations on Electroacoustic Feedback Electroacoustic audio and digital processing
Hope Possible Stories of Harry Power for piano, alto flute, bass clarinet, AM radio and MaxMSP [World Premiere]
Lucier Direction of Sounds from the Bridge (1978)
20100624.pdf
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20100617.pdf
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17/6/2010 In the Dark (dance work by Bianca Martin) PICA, Perth
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17/6/2010 Callum G'Froerer New and Unusual Music: Ear Candy # 1 Chosen Vale, New Hampshire
Maresz Metallics (1995)
Harvey Ricecare una Melodia (1984)
Vickery Delineate 1 (2010)
Johnson Introit (2010)
LeBaron Way of Light (2006)
Sermilla FInal Conclusion (1988)


20100617b.pdf
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5/6/2010 candied limbs : jon rose : gail priest : malcolm riddoch, Serial Space
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5/15/10 Lindsay Vickery Transformations, Sound Unbound  KK Gallery, Perth 
 Vickery  echo-transform 1 [2010] [World Premiere]
HEDKIKR dram  [2010] [World Premiere]
Vickery delicious ironies (dr woo) [2010] [world Premiere]
HEDKIKR yowret [World Premiere]
delicious ironies (shmil) [2010] [World Premiere]
Vickery  delicious ironies (anak2) [2010] [World Premiere]
Vickery  delineate 1 [2010] [World Premiere]
20100515.pdf
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20100513.pdf
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13/5/10 still and moving lines Decibel  WAAPA Auditorium 
Shelter (1967)forvibrationpickups,amplificationsystemandenclosedspace.
Carbon Copies (1989) for saxophone, piano, percussion and playback
In Memoriam Stuart Marshall (1993) for bass clarinet and pure wave oscillator
Nothing is Real (Strawberry Fields Forever) (1990) for piano, amplified teapot, tape recorder and miniature sound system
Hands (1994) for organ with one or more players
I Am Sitting In A Room (1970) for voice and electromagnetic tape
Directions of Sound From the Bridge (1978) for string instrument, audio oscillator and sound sensitive lights
Ever Present (2002) for flute, saxophone and piano with slow sweep pure wave oscillator
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20100313.pdf
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13/3/10 The Trial Music by Cat Hope
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23/2/2010 Resonator, Selected Shorts, Classical Tuesdays WAAPA Music Auditorium 
Cat Hope: In the Cut (2009)
Cat Hope: Wolf at Harp (2010) For 4 drum sets
Lindsay Vickery : Parallel Trajectories (2003)
Lindsay Vickery : Transit of Venus (2009)

20100223.pdf
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