performance 2014
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Mar-14 Stuart James PhD Recital
Veden Ja Tullen Elementit (2012) Particle 1 (2011) The Overview Effect (2013). N-Dimension (2013) (Decibel) |
Tues 18 March 5-7pm Digital Humanities Conference Opening. Spectrum Project Space
Decibel perform works by Hope and Vickery: Hope: Liminum Vickery: Silent Revolution Vickery and Hope: The Talking Board |
Spectral Crossings 27th Mar 7:30pm, WAAPA Music Auditorium
Music Director: Lindsay Vickery
Spectral music was developed in France in the 1970s and sought to exteriorise the inner reality of sound, to project its inner dynamics into an acoustic space and time, and to transmit to the public the reality of sound in all its complexity. WAAPA new music ensemble AXIS 21 presents works by, and inspired by, this subtle and ephemeral music.
Music Director: Lindsay Vickery
Spectral music was developed in France in the 1970s and sought to exteriorise the inner reality of sound, to project its inner dynamics into an acoustic space and time, and to transmit to the public the reality of sound in all its complexity. WAAPA new music ensemble AXIS 21 presents works by, and inspired by, this subtle and ephemeral music.
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AXIS 21
Kirsten Smith – flute/bass flute Lindsay Vickery – clarinet/bass clarinet electronics Aaron Wyatt – violin/viola Tristen Parr - cello Stuart James – piano/percussion electronics Chris Kotchie – guitar/electric guitar Josten Myburgh – electronics |
Henry Anderson Resident Frequencies [2013] (flute, clarinet, violin, cello, percussion and electronics)
Stuart James n-dimension [2013] (flute, bass clarinet, viola, cello, percussion and electronics) Haruka Hirayama Tints of July (flute, guitar and electronics) 10m Lindsay Vickery the inaudible becomes audible [2013] (flute, clarinet, viola, cello, percussion and electronics) Cat Hope Sogno102 [2013] (bass flute, bass clarinet, viola, cello, piano and electronics) Sam Gillies Threshold [2011] (bass clarinet and electronics) 6m Lindsay Vickery Nature Forms I [2014] (cello, electric guitar, piano and electronics) Tristen Murail Winter Fragments [2000] (flute, clarinet, violin, cello, piano and electronics) |
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Apr 21-24 SOUNDSPECTRUM2014.1
Music Director: Lindsay Vickery Performed by: WAAPA Music students. WAAPA’s composition and music technology students and staff launch into the Spectrum Project Space for days and nights of sound filled fun and adventure! Don’t miss this chance to experience new and experimental acoustic and electronic music performance, installation, audio visual works, DJ artists and world premieres from Aletheia, Certifiable, Ecuatorial 1 and 3, Shock Of The New and others. Spectrum Project Space, ECU Mount Lawley 22nd Apr 7:30pm Ecuatorial 1 and MaxMSP 23rd Apr 7:30pm Ecuatorial 3 and Aletheia (May 13 Sound Art at Artifactory) |
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Apr-24 The Great War 7:30pm, WAAPA Music Auditorium
Music Director: Lindsay Vickery
In 1914 Europe was plunged into a shockingly brutal and incomprehensible war on an unprecedented industrial scale. Students from WAAPA’s Composition and Music Technology course respond to the events of 1914-18 that had such a profound influence on the future of classical music.
10 – 14 June 2014 EMS2014 Electroacoustic Music Beyond Concert Performance | Berlin | Germany
Universität der Künste Berlin, Masterstudiengang Sound Studies
in cooperation with Technische Universität Berlin, Fachgebiet Audiokommunikatio, and Freie Universität Berlin
Notating the Sonic Environment: Lindsay Vickery
Universität der Künste Berlin, Masterstudiengang Sound Studies
in cooperation with Technische Universität Berlin, Fachgebiet Audiokommunikatio, and Freie Universität Berlin
Notating the Sonic Environment: Lindsay Vickery
July 7 Club Zho 109
8PM Hellenic Club, Perth HzHzHz HEDKIKR Intensoband |
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July 9-11 Australasian Computer Music Conference
Victorian College of the Arts | Melbourne Wednesday 9 July 13:30 Paper Presentation: Lindsay Vickery: Notational Semantic in Music Visualisation and Notation 14:30 Paper Presentation: Cat Hope, Stuart James, Lindsay Vickery: Sogno 102 - Harmoniously Revisioning the Composiitonal Techniques of Giacinto Scelsi 20:00 Performance: Michael Terren - Ecstasy (2014) eb clarinet and electronics= Sang Mi Ahn - Convergence alto saxophone and electronics |
Thursday 10 July
20:00 Performance: Lindsay Vickery - Sacrificial Zones (2014) for clarinet and electronics |
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July 17-19, 2014 Vs Interpretation
| Prague | Czech Republic | Agosto Foundation 19 July 1330 Paper Presentation: Improvising with the Sonic Environment: Lindsay Vickery and Vanessa Tomlinson 20th July - solo performance at Skolska 28 830PM 110 00 Prague 1 Lindsay Vickery – Sacrificial Zones (2014) Cat Hope – Signals Directorate (2014) Lindsay Vickery – Murmurs trapped in the bark (2014) Sam Gillies – Snowden (2014) Lindsay Vickery – Semantics of Redaction (2014) |
Lindsay & Max Vickery // Sam Gillies & Matt Cole // RPQ @ Bar 459
The return of improvised and electro-acoustic music at Bar 459 sees an eclectic selection of duos take to the stage armed with all sorts of electronically-processed instruments, from prepared drum kit to guitar and even a marimba. 7:30-8:00 - Lindsay & Max Vickery: Music technology virtuoso Lindsay Vickery leaves the clarinet at home and takes to processing Max's electric guitar in this heroic father & son duo. 8:20-8:50 - Sam Gillies & Matthew Cole: Sam says farewell to you the only way he knows how before he leaves to go learn things in London by applying his characteristic glitchy, ambient noise processing to Matt Cole's marimba & percussion vibes. 9:10-9:40 - RPQ: The improvised jazz-noise subset of Tangled Thoughts of Leaving follows on from their recent opening for Canberra duo Spartak, closing the night with thunderous drum flourishes and walls of electronic sound.
The return of improvised and electro-acoustic music at Bar 459 sees an eclectic selection of duos take to the stage armed with all sorts of electronically-processed instruments, from prepared drum kit to guitar and even a marimba. 7:30-8:00 - Lindsay & Max Vickery: Music technology virtuoso Lindsay Vickery leaves the clarinet at home and takes to processing Max's electric guitar in this heroic father & son duo. 8:20-8:50 - Sam Gillies & Matthew Cole: Sam says farewell to you the only way he knows how before he leaves to go learn things in London by applying his characteristic glitchy, ambient noise processing to Matt Cole's marimba & percussion vibes. 9:10-9:40 - RPQ: The improvised jazz-noise subset of Tangled Thoughts of Leaving follows on from their recent opening for Canberra duo Spartak, closing the night with thunderous drum flourishes and walls of electronic sound.
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September 14-20
International Computer Music Conference Onassis Cultural Centre | Athens, Greece Performances Cat Hope - Sogno102 Stuart James - n-dimension Sam Gillies - The Aura Implicit lindsay vickery - Nature Forms I Petro Vouris - Pallas Athena Polias Michael Terren - Whirling Knives |
Presentations: Lindsay Vickery - Exploring a Visual/Sonic Representational Continuum Stuart James - Frequency space-morphology |
Sep 22-26 SOUNDSPECTRUM 2014.2
Sep-26 Minimalism at 50
November 1964 Terry Riley’s In C was premiered, signifying the emergence of a new direction in musical expression: Minimalism. Students from the Composition and Music Technology course have created new works exploring the compositional techniques developed by the Minimalist masters; Riley, La Monte Young, Steve Reich, Philip Glass and their heirs.
Sep-26 Minimalism at 50
November 1964 Terry Riley’s In C was premiered, signifying the emergence of a new direction in musical expression: Minimalism. Students from the Composition and Music Technology course have created new works exploring the compositional techniques developed by the Minimalist masters; Riley, La Monte Young, Steve Reich, Philip Glass and their heirs.
3-5 October
Space, Time, and Colour: Colour Society of Australia National Conference 2014, Perth, Western Australia, 3rd-5th of October, 2014 The Grove Community Centre Representing Sound with Colour in Music Notation Sunday 5 October
Space, Time, and Colour: Colour Society of Australia National Conference 2014, Perth, Western Australia, 3rd-5th of October, 2014 The Grove Community Centre Representing Sound with Colour in Music Notation Sunday 5 October
Blood Wedding: Federico Garcia Lorca 10, 11, 13, 14, 15, 16 Oct 7:30, 11 Oct 2:00.
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Lindsay Vickery: incidental music for Lorca's Blood Wedding
Michael Bednall - Soprano Saxophone Hayden Emery and Jameson Feakes- Guitars Lila Raubenheimer - Celeste Dario Jiranto - Double Bass Tom Robertson - Percussion |
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6 November Moments of Disappearance - Decibel et al.: Carriageworks, Sydney
Cat Hope: Moments of Disappearance (2014)
Cat Hope: Moments of Disappearance (2014)
8 November After Julia - Decibel: ABC Classic FM Live broadcast Eugene Goosens Hall Sydney
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Gail Priest - Everything and Nothing Thembi Soddell - our sickness is felt in my body Cat Hope - Tough It Out Cathy Milliken - Shifrorl Michaela Davies - Goldfish Variation Kate Moore - Oil Drums Andree Greenwell - Arrows I, II |
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10 November Inner Space: The Giacinto Scelsi Project - Decibel: Melbourne Recital Centre
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Cat Hope: Sogno102 (2013) Lindsay Vickery: In Nomine Tenebris (2014) Giacinto Scelsi: Aitsi (1974) for electronically prepared piano Ko-Lho (1966) for flute and clarinet Maknongan (1976) for cello and electronics Elegia per Ty (1958-1956) for viola and cello After Pranam II (Scelsi 1973/ Vickery 2013) for flute, bass clarinet, viola, cello, electric organ and electronics. Alelulia (1970) for solo instrument |
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Shedstock 2014 26 Dec 2014
Study no. 4 for no-input Bass Clarinet |
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