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GreyWing: lines of flight [2018]
TONELIST TL010 1. sam gillies - Snowden (eyes in the sky) [2015] 06:38 2. cat hope - Marking Time [2016] 12:08 3. lindsay vickery - lines of flight [2017] 07:37 4.catherine ashley - Hostage [2015] 10:00 5. lindsay vickery - here, apparently, there was time for everything [2015] 08:21 6. cat hope - Signals Directorate [2015] 07:11 7. lindsay vickery - detritus [2015] 09:06 8. eduardo cosió - ghost [2017] 07:04 9. lindsay vickery - Tectonic: rodinia [2016] 11:01 |
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GreyWing nature forms I [2018]
TONELIST TL011 1. lindsay vickery - small waves raised by the evening [2016] 07:34 2. sam gillies - Shelter [2016] 05:38 3. lindsay vickery - lyrebird (wetlands) [2014] 05:50 4. matt burtner - A'aa [2009] 08:30 5. yoko ono - Secret Piece [1953] 04:18 6. lindsay vickery - nature forms I [2013] 08:57 7. vanessa tomlinson - Sonic Dreams [2017] 11:00 8. lindsay vickery - wellington forest [2017] 10:51 9. chaz underriner - nocturne series: 4 [2012] 12:42 |
Tuned Darker: Decibel - Listen Hear Collective (2015)
Listen/Hear Collective is thrilled to present ‘Tuned Darker’, the latest release from new music mavericks Decibel. Released as a digital download and limited edition vinyl, ‘Tuned Darker’ will officially launch on January 19 2015, at the Astor Theatre in Perth. We invite you to consider both the album and the launch for review and broadcast.
1. Cat Hope: The Lowest Drawer 06:54
2. Stuart James: n dimension 09:59
3. Lindsay Vickery: Night Fragments 16:56
Listen/Hear Collective is thrilled to present ‘Tuned Darker’, the latest release from new music mavericks Decibel. Released as a digital download and limited edition vinyl, ‘Tuned Darker’ will officially launch on January 19 2015, at the Astor Theatre in Perth. We invite you to consider both the album and the launch for review and broadcast.
1. Cat Hope: The Lowest Drawer 06:54
2. Stuart James: n dimension 09:59
3. Lindsay Vickery: Night Fragments 16:56
Noizemaschin!! #34 (2014)
1. Sam Gillies - Study For Laptop: Subconscious Drift 11:12
2. MotET - Like Storm Moths In The Rain / You Don't Beat Me Hard Anymore 09:06
3. Petro Vouris - Hex 06:00
4. Petro Vouris - Pallas Athena Polias07:00
5. Lindsay Vickery - Sacrificial Zones06:20
6. Mr Government - Ego 10:26
7. E.N. & Dan Greco - The Fucktard Report13:02
8. Tsvoim - II 05:21
April 2014 was the only time there were two offical Noizemaschin!! concerts in a single month. The second concert was held at the usual venue of The Artifactory, and enabled the away team to report on the spectacle that was Blazing Swan. The experience was documented by MotET in the track "Like Storm Moths In The Rain", and the intermission featured a very special video presentation by Dr Vellocet.
1. Sam Gillies - Study For Laptop: Subconscious Drift 11:12
2. MotET - Like Storm Moths In The Rain / You Don't Beat Me Hard Anymore 09:06
3. Petro Vouris - Hex 06:00
4. Petro Vouris - Pallas Athena Polias07:00
5. Lindsay Vickery - Sacrificial Zones06:20
6. Mr Government - Ego 10:26
7. E.N. & Dan Greco - The Fucktard Report13:02
8. Tsvoim - II 05:21
April 2014 was the only time there were two offical Noizemaschin!! concerts in a single month. The second concert was held at the usual venue of The Artifactory, and enabled the away team to report on the spectacle that was Blazing Swan. The experience was documented by MotET in the track "Like Storm Moths In The Rain", and the intermission featured a very special video presentation by Dr Vellocet.
Alvin Lucier Still and Moving Lines (2014)
pogus
Ever Present; Carbon Copies; Hands; Shelter: Cat Hope (flute, alto flute, organ); Lindsay Vickery (saxophone, organ, MaxMSP programming); Stuart James (piano, organ); Malcolm Riddoch (electronic playback, MaxMSP performance, organ).
Pogus is absolutely delighted to offer this new release featuring Australian new music ensemble Decibel performing four works by Alvin Lucier, three of which are previously unrecorded. Ever Present (2002), the only work offered here that has been recorded before is considered by many to be Lucier’s most musical work. Carbon Copies(1989) investigates musicians imitating their environments. In Hands (1994) the performers use their hands to subtly alter the harmonics produced from the pipes of an organ. Shelter(1967) is for vibration pickups, amplification system and enclosed space and finds Lucier offering the sounds of outside a performance space. All these works as always are amazing examples of Alvin Lucier’s fertile mind and exploring, experimental sensibility. One of the true originals.
pogus
Ever Present; Carbon Copies; Hands; Shelter: Cat Hope (flute, alto flute, organ); Lindsay Vickery (saxophone, organ, MaxMSP programming); Stuart James (piano, organ); Malcolm Riddoch (electronic playback, MaxMSP performance, organ).
Pogus is absolutely delighted to offer this new release featuring Australian new music ensemble Decibel performing four works by Alvin Lucier, three of which are previously unrecorded. Ever Present (2002), the only work offered here that has been recorded before is considered by many to be Lucier’s most musical work. Carbon Copies(1989) investigates musicians imitating their environments. In Hands (1994) the performers use their hands to subtly alter the harmonics produced from the pipes of an organ. Shelter(1967) is for vibration pickups, amplification system and enclosed space and finds Lucier offering the sounds of outside a performance space. All these works as always are amazing examples of Alvin Lucier’s fertile mind and exploring, experimental sensibility. One of the true originals.
2013 NEW MUSIC NETWORK CD
This is the fourth edition of the biennial NMN CD and gives an insight into the exciting and creative presentation of new music in Australia. The CD features improvised works and new compositions - many of which have been created by the artists themselves.
Featuring Acacia Quartet, Aphids, Aurora New Music, austraLYSIS, Chamber Made Opera, Chronology Arts, Clocked Out, Continuum Sax, David Chesworth Ensemble, Decibel, Ensemble Offspring, Fat Rain Music, Halcyon, Jazz Groove, Kammer Ensemble, Moorambilla Voices, the Noise Quartet, the Now Now and West Head Project, SIMA, the Song Company, Soundstream Collective, Speak Percussion, Sunwrae Ensemble, Synergy Percussion, Topology and What is Music.
This is the fourth edition of the biennial NMN CD and gives an insight into the exciting and creative presentation of new music in Australia. The CD features improvised works and new compositions - many of which have been created by the artists themselves.
Featuring Acacia Quartet, Aphids, Aurora New Music, austraLYSIS, Chamber Made Opera, Chronology Arts, Clocked Out, Continuum Sax, David Chesworth Ensemble, Decibel, Ensemble Offspring, Fat Rain Music, Halcyon, Jazz Groove, Kammer Ensemble, Moorambilla Voices, the Noise Quartet, the Now Now and West Head Project, SIMA, the Song Company, Soundstream Collective, Speak Percussion, Sunwrae Ensemble, Synergy Percussion, Topology and What is Music.
GRAPHIC 2 - THE LAST YEARS
Music by Lindsay Vickery from the 'Drawn from Sound' exhibition.
Presented by Stephen Adams
Our second GRAPHIC podcast features a recording of Lindsay Vickery's The Last Years for four acoustic instruments and electronics, performed by Decibel ensemble. And we talk more to the curator of the Drawn from Sound exhibition of Australian graphic scores, composer and Decibel director Cat Hope, about all things 'graphic'.
Music by Lindsay Vickery from the 'Drawn from Sound' exhibition.
Presented by Stephen Adams
Our second GRAPHIC podcast features a recording of Lindsay Vickery's The Last Years for four acoustic instruments and electronics, performed by Decibel ensemble. And we talk more to the curator of the Drawn from Sound exhibition of Australian graphic scores, composer and Decibel director Cat Hope, about all things 'graphic'.
Luminosity: Musical Treasures from UWA (2013)
UWA
Luminosity, a CD of new works features a smorgasbord of musical delights, with a range of pieces for a variety of traditional and electronic instruments and voice. Luminosity: Musical Treasures from UWA was launched by Janet Holmes à Court in UWA's Callaway Music Auditorium in the Music School from 11.15am on Sunday 10 February as part of the University's Alumni Weekend festivities to mark the start of UWA's 2013 Centenary year. The centenary CD was developed by UWA Friends of Music, the UWA Centenary Planning Committee and a group of UWA alumni. Its cover design is by former UWA student, author and Academy Award-winning film-maker Shaun Tan.
Noizemaschin!! #12 (2012)
Bandcamp
1. Dr Vellocet - Machines Are Best Lubricated With Blood And Money 07:41
2. Sam Gillies - Walls Of Perception 13:08
3. I.n0jaQ - To Split Infinitives - 8 Strings Gate To Trigger 12:09
4. LoMax - Wuh.Huh. 08:34
5. Furchick - Art Wankers 09:45
6. Lindsay Vickery - Study For No-Input Bass Clarinet No. 2 11:32
7. Stuart James - Particle 2: Pentode Shards 08:30
8. Chris Cobilis - Artifactory 19.06.201215:36
2. Sam Gillies - Walls Of Perception 13:08
3. I.n0jaQ - To Split Infinitives - 8 Strings Gate To Trigger 12:09
4. LoMax - Wuh.Huh. 08:34
5. Furchick - Art Wankers 09:45
6. Lindsay Vickery - Study For No-Input Bass Clarinet No. 2 11:32
7. Stuart James - Particle 2: Pentode Shards 08:30
8. Chris Cobilis - Artifactory 19.06.201215:36
Decibel: Stasis Ecstatic (2012)
heartless robot
Stasis Ecstatic' features new works performed by Perth New Music Ensemble Decibel. Led by Cat Hope, Decibel is unusual in the new music world for the way they blend the aesthetic of classical music experimentation with noise, sound art and song like sensibilities.
This gatefold album, with elegant design by When Studios, features six tracks by Australian composers, and comes with a booklet that features introductions to the pieces by contributed by the composers themselves, accompanying photos, drawings and two essays. In addition to works by WA composers Hope, Lindsay Vickery, Stuart James and Malcolm Riddoch, there is a track by Julian Day (NSW) and the debut recording release of Alan Lamb's 'Infinity Machine', an instrument made for Decibel by Lamb and performed by Stuart James. Mixed and mastered at Sound Field Studios.
1. Longing - Cat Hope 06:49
2. Variations On Acoustic Feedback - Malcolm Riddoch 07:44
3. Ghosts Of Departed Quantities - Lindsay Vickery 10:12
4. Beginning To Collapse - Julian Day11:07
5. Particle 1 - Stuart James 08:15
6. The Infinity Machine - Alan Lamb 04:00
This gatefold album, with elegant design by When Studios, features six tracks by Australian composers, and comes with a booklet that features introductions to the pieces by contributed by the composers themselves, accompanying photos, drawings and two essays. In addition to works by WA composers Hope, Lindsay Vickery, Stuart James and Malcolm Riddoch, there is a track by Julian Day (NSW) and the debut recording release of Alan Lamb's 'Infinity Machine', an instrument made for Decibel by Lamb and performed by Stuart James. Mixed and mastered at Sound Field Studios.
1. Longing - Cat Hope 06:49
2. Variations On Acoustic Feedback - Malcolm Riddoch 07:44
3. Ghosts Of Departed Quantities - Lindsay Vickery 10:12
4. Beginning To Collapse - Julian Day11:07
5. Particle 1 - Stuart James 08:15
6. The Infinity Machine - Alan Lamb 04:00
Candied Limbs: SubProject 54 (2011)
Tura New Music [TNM001]
Cat Hope on bass guitar and analogue electronics teams up with Lindsay Vickery on bass clarinet and digital electronics.
1. Chafee 03:45
2. Laubinger 09:01
3. Goldwater 14:27
4. Gittinger 04:18
5. Turner 10:06
6. Schweiker 06:57
7. Inouye 07:38
1. Chafee 03:45
2. Laubinger 09:01
3. Goldwater 14:27
4. Gittinger 04:18
5. Turner 10:06
6. Schweiker 06:57
7. Inouye 07:38
Decibel - Disintegration: Mutation (2011)
hellosQuare recordings
As one of the very few groups within Australia to focus solely on 20th Century or commissioned works, Decibel's electro-acoustic palette explore tone and texture like many of the rock and electronic musicians associated with the hellosQuare label, approaching common ideas behind music and sound from the other side of the coin.
1. Cat Hope In The Cut 07:11
2. Cat Hope Kuklinski's Dream 08:10
3. Lindsay Vickery Transit Of Venus 09:24
4. Lindsay Vickery Antibody 14:18
1. Cat Hope In The Cut 07:11
2. Cat Hope Kuklinski's Dream 08:10
3. Lindsay Vickery Transit Of Venus 09:24
4. Lindsay Vickery Antibody 14:18
Lindsay Vickery - delineate (2010)
slow release
Works for solo reed instruments and electronics by Lindsay Vickery. Includes echo-transform 1 (2010), strange tides (redraw my boundries) (1997), delicious ironies (dr woo) (2010), dicegame (1991-5), delineate 1 (2010), splice (2002), delicious ironies (anak2) (2010), Hey Jazz Fans! and corridors, stairways, night and day (2009.
Graham Collier & The Collective - Bread and Circuses (2009)
jazzcontinuum
Bread & Circuses was written for a proposed educational documentary dealing with my methods of composition and was first workshopped at the Royal Academy of Music, London, before being taken to Australia for this recording.
Oxford Palms was commissioned by Meltdown for first performance in Oxford, England. The composition was loosely inspired by the form of Wild Palms, a novel with two interlocking ideas written by William Faulkner, whose home town was Oxford, Missouri.
Oxford Palms was commissioned by Meltdown for first performance in Oxford, England. The composition was loosely inspired by the form of Wild Palms, a novel with two interlocking ideas written by William Faulkner, whose home town was Oxford, Missouri.
Clocked Out Duo – Water Pushes Sand (2003)
COP-CD003
1 Water Pushes Sand 10:10
2 Bicycle Groove 4:43
3 Dear Judy 3:27
4 We Move By Intuition 8:54
5 The Theme 1 1:15
6 Motorcycling Through The City Of Churches 2:29
7 Waltz 1:59
8 Felaminikuti 4:50
9 Delicious Ironies (Sichuan) Composed By – Lindsay Vickery 8:52
10 The Theme 2 2:21
COP-CD003
1 Water Pushes Sand 10:10
2 Bicycle Groove 4:43
3 Dear Judy 3:27
4 We Move By Intuition 8:54
5 The Theme 1 1:15
6 Motorcycling Through The City Of Churches 2:29
7 Waltz 1:59
8 Felaminikuti 4:50
9 Delicious Ironies (Sichuan) Composed By – Lindsay Vickery 8:52
10 The Theme 2 2:21
Jon Rose - The People's Music (2003)
ReR Megacorp
The People's Music (Violin Factory 2) is a wild surrealist fantasy featuring string orchestra and conductor along with the various and subtle rhythms of industrial process manufactured by three young Perth composers. Rose served as a second conductor for these "industrials," plus he performed live orchestral sampling and interactive accelerometer-driven string samples (this while conducting with Mao's embalmed left arm,which looked to me suspiciously like a pink plastic dish washing glove). An audience of over 700 had somehow assembled here in the middle of the outback to witness this improbable vision.
A Red Guard factory guide was perched above the orchestra on the sheep chute, saluting the agony and ecstasy of the thousands of violin makers in The People's Republic of China with Mao's stern words alternately in Chinese and English. Meanwhile, two videographers projected images onto the sheep shearing shed, a riveting mix of pre-filmed images of Chinese violin factory workers and the live string players. Counterpoint is obviously key to Rose, and this was evident in many small details, such as the portraits of individual string players which ran on rhythmic loops in conversation with the orchestral rhythms.
A Red Guard factory guide was perched above the orchestra on the sheep chute, saluting the agony and ecstasy of the thousands of violin makers in The People's Republic of China with Mao's stern words alternately in Chinese and English. Meanwhile, two videographers projected images onto the sheep shearing shed, a riveting mix of pre-filmed images of Chinese violin factory workers and the live string players. Counterpoint is obviously key to Rose, and this was evident in many small details, such as the portraits of individual string players which ran on rhythmic loops in conversation with the orchestral rhythms.
Michael Kieran Harvey - Australian Piano Miniatures (1996 )
Red House RH064
The highly acclaimed complete CD recording of the Australian Piano Miniature book by Australia's premiere contemporary pianist. This CD contains all 42 pieces which range from between 27 seconds to 4 minutes in duration. Piano Miniatures is our most popular release to date. The book explores the concept of solo piano music written in the space of a single page. Forty-two Australian composers present 42 pieces with a variety of approaches to notation, brevity and sound result.
Listen here.
Listen here.
NMATAPE 9
NMA
Bolleter, Ross and Ryszard Ratajczak. That time (simulplay II)
Muir, Rob. With with it
Lamb, Alan. excerpt from `Night Passage'
Crotty, Nathan. A little bit of piano
Vickery, Lindsay. Blackpool tower
Davies-Slate, Stuart. Recitative and arias
Mustard, Jonathan. Automaton 1 & 2
Benfall, Stephen. Saxophone quartet (3rd mov't)
Hammond, Rowan. Minimbience
Muir, Rob. With with it
Lamb, Alan. excerpt from `Night Passage'
Crotty, Nathan. A little bit of piano
Vickery, Lindsay. Blackpool tower
Davies-Slate, Stuart. Recitative and arias
Mustard, Jonathan. Automaton 1 & 2
Benfall, Stephen. Saxophone quartet (3rd mov't)
Hammond, Rowan. Minimbience
Lindsay Vickery - chamber music XVIII [2021/22]
bandcamp
1. Iapetus Ocean (hamburg version) [2021] 09:27
2. little grey wing [2021] 07:36
3. mirovia ocean [2021] 07:34
4. the tears of things [2022] for marimba, vibraphone and fixed media 08:18
5. jingeejerdup [2022] for electric guitar and fixed media 06:22
6. Kirsten Hudson/Lindsay Vickery - Requiem (Kalyakoorl) [2022] for 4 players and fixed media 12:07
7. koorlbardi [2022] for flute, clarinet, electric guitar, harp and fixed media 08:44
8. medusoid [2022] generative score for iPads and Max 07:49
bandcamp
1. Iapetus Ocean (hamburg version) [2021] 09:27
2. little grey wing [2021] 07:36
3. mirovia ocean [2021] 07:34
4. the tears of things [2022] for marimba, vibraphone and fixed media 08:18
5. jingeejerdup [2022] for electric guitar and fixed media 06:22
6. Kirsten Hudson/Lindsay Vickery - Requiem (Kalyakoorl) [2022] for 4 players and fixed media 12:07
7. koorlbardi [2022] for flute, clarinet, electric guitar, harp and fixed media 08:44
8. medusoid [2022] generative score for iPads and Max 07:49
Lindsay Vickery - chamber music XVII [2020]
bandcamp
1. Mannaitch Sketch [2020] 08:30
2. iapetus ocean [2020] 09:15
3. jingee [2020] for flute, bass clarinet, electric guitar and electronics 07:41
4. Mueller [2020] 02:14
5. Aresti Diagrams K162/int_unknown [2020] 05:56
6. Aresti Diagrams K172/K139 [2020] 05:14
bandcamp
1. Mannaitch Sketch [2020] 08:30
2. iapetus ocean [2020] 09:15
3. jingee [2020] for flute, bass clarinet, electric guitar and electronics 07:41
4. Mueller [2020] 02:14
5. Aresti Diagrams K162/int_unknown [2020] 05:56
6. Aresti Diagrams K172/K139 [2020] 05:14
Lindsay Vickery - chamber music XVI [2019]
bandcamp
1. Lindsay Vickery (AUS) - Wardang [2019] for flute, clarinet, electric guitar, harp and tape 08:22
2. qaalup [2019] 09:20
3. mechanical inefficiency [2019] 07:34
4. torbuammpa [2019] 12:32
5. dekompression [2019] 08:14
6. t o r b u a m m p a [2019] for flute, bass clarinet, electric guitar, harp, piano, percussion and tape. 12:27
bandcamp
1. Lindsay Vickery (AUS) - Wardang [2019] for flute, clarinet, electric guitar, harp and tape 08:22
2. qaalup [2019] 09:20
3. mechanical inefficiency [2019] 07:34
4. torbuammpa [2019] 12:32
5. dekompression [2019] 08:14
6. t o r b u a m m p a [2019] for flute, bass clarinet, electric guitar, harp, piano, percussion and tape. 12:27
Lindsay Vickery - agitation techniques: chamber music XV [2018]
bandcamp
1.agitation techniques in a closed system [2018] for turntables, bass flute, bass clarinet, viola, cello and electronics 09:00
2. Sanctuary [2018] for percussion quartet 08:21
3. trollfarm [2018] for laptop orchestra06:45
4. thalweg [2018] for electric guitar and electronics 09:10
5. kurui [2018] for bass clarinet, piano/melodica and percussion 08:32
6. Willson's Downfall [2018] for three performers and field recordings. 08:01
7. rising water [2018] for bass clarinet, electric guitar, harp and artificial field recording. 07:13
8. un paso al abismo [2018] for live soap opera feeds and performers 10:08
9. Camilla Hannan/Lindsay Vickery - Telescope Turbine [2018 ] 10:00
10.thalweg [2018] for electric guitar and electronics 09:04
11.takadanobaba [2018] for voice, violin, trumpet, alto saxophone, bass clarinet, electric guitar, prepared piano and percussion. 11:06
12.trollfarm [2018] for laptop ensemble10:08
bandcamp
1.agitation techniques in a closed system [2018] for turntables, bass flute, bass clarinet, viola, cello and electronics 09:00
2. Sanctuary [2018] for percussion quartet 08:21
3. trollfarm [2018] for laptop orchestra06:45
4. thalweg [2018] for electric guitar and electronics 09:10
5. kurui [2018] for bass clarinet, piano/melodica and percussion 08:32
6. Willson's Downfall [2018] for three performers and field recordings. 08:01
7. rising water [2018] for bass clarinet, electric guitar, harp and artificial field recording. 07:13
8. un paso al abismo [2018] for live soap opera feeds and performers 10:08
9. Camilla Hannan/Lindsay Vickery - Telescope Turbine [2018 ] 10:00
10.thalweg [2018] for electric guitar and electronics 09:04
11.takadanobaba [2018] for voice, violin, trumpet, alto saxophone, bass clarinet, electric guitar, prepared piano and percussion. 11:06
12.trollfarm [2018] for laptop ensemble10:08
Lindsay Vickery - on a wire: chamber music XIV [2017]
bandcamp
1.wellington forrest GW version [2017]10:51
2.escadaria do diabo [2017] 10:06
3.vickery wellington forest [2017] 10:54
4.lines of flight [2017] 07:37
5.liminario [2017] 08:01
6.[opi'lka [2017] with electronics 11:02
7.TECTONIC: rodinia [2016] 10:59
bandcamp
1.wellington forrest GW version [2017]10:51
2.escadaria do diabo [2017] 10:06
3.vickery wellington forest [2017] 10:54
4.lines of flight [2017] 07:37
5.liminario [2017] 08:01
6.[opi'lka [2017] with electronics 11:02
7.TECTONIC: rodinia [2016] 10:59
Lindsay Vickery - field notes: chamber music XIII [2016]
bandcamp
1. small waves raised by the evening for bass clarinet, electric guitar and harp [2016] 07:36
2. bascule [2016] 06:56
3. nature forms ii [2016] 08:00
4. tokyo avian sound ark [2016] 08:00
5. tomorrow god only never know [2016] 05:33
6. abstract clouds of the western skies [2016] 08:10
bandcamp
1. small waves raised by the evening for bass clarinet, electric guitar and harp [2016] 07:36
2. bascule [2016] 06:56
3. nature forms ii [2016] 08:00
4. tokyo avian sound ark [2016] 08:00
5. tomorrow god only never know [2016] 05:33
6. abstract clouds of the western skies [2016] 08:10
Lindsay Vickery - detritus: chamber music XII [2015]
bandcamp
1. detritus [2015] 09:12
2. mezareon [2015] 06:32
3. flitter [2015] 06:40
4. trash vortex [2015] 08:10
5. acid fury [2015] 06:12
6. the miracle of the rose [2015] 10:24
7. the miracle of the rose [2015] 10:22
bandcamp
1. detritus [2015] 09:12
2. mezareon [2015] 06:32
3. flitter [2015] 06:40
4. trash vortex [2015] 08:10
5. acid fury [2015] 06:12
6. the miracle of the rose [2015] 10:24
7. the miracle of the rose [2015] 10:22
Lindsay Vickery - sacrificial zones: chamber music XI [2014]
bandcamp
1. in nomine tenebris [2014] 10:37
2. sacrificial zones [2014] ACMC recording 07:13
3. The Semantics of Redaction (Klein) [2014] 09:55
4. murmurs trapped in the bark [2014] for clarinet and electronics 09:15
5. lyrebird (whistlers and crickets) [2014]06:03
6. The Semantics of Redaction (Ferguson) [2014] 09:14
7. nature forms I [2014] 08:52
bandcamp
1. in nomine tenebris [2014] 10:37
2. sacrificial zones [2014] ACMC recording 07:13
3. The Semantics of Redaction (Klein) [2014] 09:55
4. murmurs trapped in the bark [2014] for clarinet and electronics 09:15
5. lyrebird (whistlers and crickets) [2014]06:03
6. The Semantics of Redaction (Ferguson) [2014] 09:14
7. nature forms I [2014] 08:52
Lindsay Vickery - resonance, manifestations: chamber music X [2013]
bandcamp
1. study no. 3 for no-input bass clarinet (part I) [2013] 07:16
2. study no. 3 for no-input bass clarinet (part II spectral transmission) [2013]06:33
3. resonance manifestations for whispering choir [2013] 05:05
4. dazbot 1 [2013] (for self-actuating drum samples) 07:32
5. the last years [2013] 09:14
6. silent revolution [2013] 10:10
7. the inaudible becomes audible [2013]09:35
8. after Pranam II (Vickery/Scelsi) [2013]
bandcamp
1. study no. 3 for no-input bass clarinet (part I) [2013] 07:16
2. study no. 3 for no-input bass clarinet (part II spectral transmission) [2013]06:33
3. resonance manifestations for whispering choir [2013] 05:05
4. dazbot 1 [2013] (for self-actuating drum samples) 07:32
5. the last years [2013] 09:14
6. silent revolution [2013] 10:10
7. the inaudible becomes audible [2013]09:35
8. after Pranam II (Vickery/Scelsi) [2013]
Lindsay Vickery - questions written on sheets of glass: chamber music IX [2011-2012]
bandcamp
1. night fragments [2011] 18:03
2. hunting pack [2011] 08:21
3. reconstruction of a shifting path [2011] 10:03
4. questions written on sheets of glass [2011] 03:39
5. lindsay vickery and cat hope - the talking board [2011] 07:05
6. EVP [2012] 09:44
7. study no. 1 for no-input bass clarinet [2012] 07:26
8. cities sunk in endless slumber [2012] 06:23
9. study no. 2 for no-input bass clarinet [2012] 11:32
10. Lindsay Vickery and Jon Rose - UBahn c. 1985: the Rosenberg Variations [2012] 13:02
11. Agilus, Mimoid, Symmetriad [2012] 08:16
2. hunting pack [2011] 08:21
3. reconstruction of a shifting path [2011] 10:03
4. questions written on sheets of glass [2011] 03:39
5. lindsay vickery and cat hope - the talking board [2011] 07:05
6. EVP [2012] 09:44
7. study no. 1 for no-input bass clarinet [2012] 07:26
8. cities sunk in endless slumber [2012] 06:23
9. study no. 2 for no-input bass clarinet [2012] 11:32
10. Lindsay Vickery and Jon Rose - UBahn c. 1985: the Rosenberg Variations [2012] 13:02
11. Agilus, Mimoid, Symmetriad [2012] 08:16
Lindsay Vickery - Transitions Transformations: chamber music VIII [2009-2010]
bandcamp
1. transit of venus [2009] 10:03
2. corridors, stairways, night and day [2009] 09:44
3. antibody [2010] 12:30
4. delineate [2010] 05:52
5. improbable games [2010} 11:02
6. echo-transform [2010] 08:27
7. ghosts of departed quantities [2010]11:10
2. corridors, stairways, night and day [2009] 09:44
3. antibody [2010] 12:30
4. delineate [2010] 05:52
5. improbable games [2010} 11:02
6. echo-transform [2010] 08:27
7. ghosts of departed quantities [2010]11:10
Lindsay Vickery - TECTONIC: chamber music VII [2004-2008]
bandcamp
1. shifting planes [2005] 13:33
2. whorl [2004] 06:27
3. éraflage [2007] 08:18
4. particle+wave [2004] 06:43
5. zwitschern [2005] 06:45
6. TECTONIC: Vaalabra [2008] 17:04
2. whorl [2004] 06:27
3. éraflage [2007] 08:18
4. particle+wave [2004] 06:43
5. zwitschern [2005] 06:45
6. TECTONIC: Vaalabra [2008] 17:04
Lindsay Vickery - interXection: chamber music VI [2002-2003]
bandcamp
1. entropology [2002] 08:58
2. splice [2002] 06:21
3. still-life with visitations [2002] 10:49
4. HEY JAZZ FANS! [2003] 05:57
5. exit points [2003] 06:33
6. spectral transmission [2003] 06:35
7. kreuz des suedens [2003] 12:23
8. r. sells harmony jamboree [2003] 02:28
9. interXection [2002] 08:22
10. parallel trajectories [2003] 09:21
2. splice [2002] 06:21
3. still-life with visitations [2002] 10:49
4. HEY JAZZ FANS! [2003] 05:57
5. exit points [2003] 06:33
6. spectral transmission [2003] 06:35
7. kreuz des suedens [2003] 12:23
8. r. sells harmony jamboree [2003] 02:28
9. interXection [2002] 08:22
10. parallel trajectories [2003] 09:21
Lindsay Vickery - backwards towards a point: chamber music V [2000-2002]
bandcamp
1. three time pieces [2000] 13:55
2. a throw of the dice [2002] 08:59
3. your sky is filled with billboards of the sky [2002] 06:33
4. noir [2000] 20:10
2. a throw of the dice [2002] 08:59
3. your sky is filled with billboards of the sky [2002] 06:33
4. noir [2000] 20:10
Lindsay Vickery - other planet: chamber music IV [1998-1999]
bandcamp
1. songs of [virtual] love + war [1998] 18:14
2. other planet [1998] 03:11
3. counting | shaking [1998] 07:58
4. those short hours [1998] 05:30
5. whythisandnotanother? [1999] 10:30
6. horology [1999] 07:21
2. other planet [1998] 03:11
3. counting | shaking [1998] 07:58
4. those short hours [1998] 05:30
5. whythisandnotanother? [1999] 10:30
6. horology [1999] 07:21
Lindsay Vickery - strange tides: chamber music III [1997]
bandcamp
1. strange tides (redraw my boundaries) [1997] 07:36
2. [descent of the celestial monkey wrench] part 1 [1997] 11:22
3. [descent of the celestial monkey wrench] part 2 [1997] 15:49
2. [descent of the celestial monkey wrench] part 1 [1997] 11:22
3. [descent of the celestial monkey wrench] part 2 [1997] 15:49
Lindsay Vickery - invisible symmetries: chamber music II [1991-1995]
bandcamp
1. cyphers of the obscure gods [1991]03:06
2. the giant is speaking through you [1991]04:14
3. phase matrix [1993] 03:20
4. dice game [1995] 05:12
5. naHEEtoh kooRAHboo [1991] 01:03
6. web of indra [1993] 06:58
7. 27matrix [1995] 06:51
8. invisible symmetries [1993] 10:11
2. the giant is speaking through you [1991]04:14
3. phase matrix [1993] 03:20
4. dice game [1995] 05:12
5. naHEEtoh kooRAHboo [1991] 01:03
6. web of indra [1993] 06:58
7. 27matrix [1995] 06:51
8. invisible symmetries [1993] 10:11
Lindsay Vickery - separate islands: chamber music I [1988-1991]
bandcamp
1. savoy trifle [1988] 04:33
2. blackpool tower: elegy for john lennon [1989] 07:07
3. stairways of sleep [1989] 07:55
4. ancient streams, deep and beautiful ... seen through new eyes [1989] 11:56
5. double concerto for knitters and ensemble [1989] 04:39
6. leo szilard [1990] 04:20
7. ed teller remembers [1990] 11:00
8. chase the bird [1991] 06:04
2. blackpool tower: elegy for john lennon [1989] 07:07
3. stairways of sleep [1989] 07:55
4. ancient streams, deep and beautiful ... seen through new eyes [1989] 11:56
5. double concerto for knitters and ensemble [1989] 04:39
6. leo szilard [1990] 04:20
7. ed teller remembers [1990] 11:00
8. chase the bird [1991] 06:04
Lindsay Vickery - delicious ironies
bandcamp
1. delicious ironies (noir) [2002] 06:00
2. delicious ironies (vox) [2002] 06:12
3. delicious ironies (raging belle) [2002]05:56
4. delicious ironies (sichuan) [2002] 08:25
5. delicious ironies (mcj) [2005] 06:20
6. delicious ironies (kds) [2005] 11:01
7. delicious ironies (anak2) [2010] 08:02
8. delicious ironies (shmil) [2010] 06:14
9. delicious ironies (dr woo) [2010] 08:27
2. delicious ironies (vox) [2002] 06:12
3. delicious ironies (raging belle) [2002]05:56
4. delicious ironies (sichuan) [2002] 08:25
5. delicious ironies (mcj) [2005] 06:20
6. delicious ironies (kds) [2005] 11:01
7. delicious ironies (anak2) [2010] 08:02
8. delicious ironies (shmil) [2010] 06:14
9. delicious ironies (dr woo) [2010] 08:27
live recordings
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